Audio
Audio is the most direct format we use. No images. No distance. Just a voice — and whatever it awakens in you.
These works are designed for solitude. Headphones are recommended — not for immersion, but for honesty.
Why audio?
Because fear and memory travel faster through sound than through images.
Audio bypasses performance. There is no camera to hide behind, no framing to soften the impact. A voice enters the listener directly — into kitchens, bedrooms, late-night walks.
At Red Suit Studios, audio is used for horror, confession, ritual, and the kind of storytelling that feels like it wasn’t meant to be shared.
Silence is treated as structure, not absence.
Audio by World
Each audio project belongs to — or expands — a story world.
The Red Suit Stories
A narrated horror podcast built around intimacy, routine, and unease. Season 1 establishes the tone of Familiar Fear: domestic dread, restraint, and implication.
- 🎙 Podcast
- 🕯 Horror fiction
- 📼 Found entries
Letters to a Dead Friend — Audio Pieces
Spoken letters, monologues, and narrated fragments that complement the book and albums. Confessions that work best when heard, not read.
- 🎙 Spoken word
- 📝 Letters
- 🎵 Companion audio
The Jury — Audio Fragments
Testimonies, inner monologues, recordings, and procedural fragments that deepen the trial’s emotional landscape.
- 🎙 Monologues
- ⚖️ Testimony
Fear Compound — Audio Artifacts
Sermons, confessions, recorded sessions, and propaganda-style audio that reveal the mechanics of control from the inside.
- 🎙 Recorded sessions
- 🕯 Ritual audio
Prefer a different door?
These same worlds exist through books, games, music, and video — each format revealing something the others can’t.